Listening Between the Lines: Gaga, Swift and the Chords They’ve Struck With Feminism

By Randi Saunders 

It sometimes seems that the Madonna/whore dichotomy most likes to rear its ugly head in the music industry. If you’re unfamiliar with this particular (false) dichotomy, it refers to the dyadic opposition of a “pure” woman and a, for lack of a better term, unholy skank (as if there are no shades of gray)—and of course, it vilifies the latter while glorifying the former. A claim to purity tends to be an important PR move for female entertainers (especially those with younger audiences), because of America’s insistent cling to the purity myth… and it presents a fine line that entertainers walk.

Ke$ha

For an example of a juxtaposition that epitomizes this clash, look no further than Taylor Swift and Ke$ha. I chose those two artists because of their extremity, although in reality, Ke$ha is more of an exception, because she fully embraces her image, while artists such as Lady Gaga claim their utilization of sexualized performance to be an “entertainment strategy”.

Unfortunately, while people are busy blithering on about these women’s images—their clothes, hair, makeup, and video choreography—they sometimes forget about the artist and her actual art.

There has been some discussion of both Swift and Gaga, and what they stand for. A lot of that has been about image—Taylor Swift’s good girl rep and Lady Gaga’s daring style—but some has been about the music. So I’ll just put it out there: what kind of messages DO Taylor Swift and Lady Gag send girls?

Let’s start with Taylor Swift. Some of her critics have pointed to her music as having “antifeminist undertones” but, with few exceptions, this is a generally weak argument. One critic even went so far as to zero in on the colors of the prom dresses in the music video for “You Belong With Me” (as if your average teenage girl watching that music video is thinking “Oh! White dress means pure virgin!”…not). But critics will always find something to pick on, and fans will always find something to defend. In the interest of not being overly biased here, I’ll give you both sides of the conversation on Taylor Swift and what her songs tell teenage girls.

Taylor Swift

I’m not here to laud Taylor Swift as a feminist musical icon—that would be over the top. And to be frank, there are some songs that are deserving of criticism. Swift is way too reliant on the male subject in “Superman”. “Your Anything” (for those who actually know this one) also presents a problem, as it describes a willingness to mold oneself to a guy’s desires or expectations—but worse, it’s still relatable, because so many girls have considered sculpting themselves into what they guy they like is looking for. But of all of her songs, the one I most want to call attention to is “Dear John”. The problem isn’t so much that the guy in “Dear John” walks all over Swift—it’s that she lets him, and proceeds to blame her entire situation on the guy. You may be reading this and thinking that the guy was obviously a tool, and I am not here to defend whatever he did; but women cannot afford to let men treat them poorly without fighting back and then cry about it later. We may not cause the messes we find ourselves in, but we are responsible for trying to get out of them.

In contrast, Swift’s “Tell Me Why” describes a similarly abusive relationship that she does confront and eventually remove herself from, which sets a much better example. And a lot of her songs do have positive messages for girls. “Tied Together With A Smile” is about overcoming self-esteem and body image issues. In “Mean”, Swift talks about rising above the people who put you down and tell you you’re not worth it. Even love songs like “Fearless” give the sense that a relationship should be exciting and empowering. But I think one of her most under-appreciated songs, especially on this front, is “White Horse”, in which Swift describes a guy who took her for granted and ruined their relationship, only to turn around and beg for forgiveness—to which Swift responds that it’s too late. She sings about walking away from a bad relationship and holding out for what she truly deserves (“I’m going to find someone someday who might actually treat me well…”), and that’s a message that every girl should hear.

Then we have Lady Gaga, who has probably gotten more praise than glares, especially from those looking for empowering music.

Lady Gaga

She has been lauded for her willingness to experiment and sing about experiences from a different angle. But before I talk about the good that Gaga brings to the table, let me just ask: is she really such a better role model for girls? Can one criticize Ke$ha but spare Gaga’s “Just Dance”, which has a very similar premise as much of Ke$ha’s music? Then you’ve got “Love Game”, which calls attention to a focus on sex and the utilization of relationships to achieve ulterior agendas, a subversion of relationships that one could cite as problematic. And that’s just discussing Gaga’s actual music, divorced from her music videos and other performance imagery, which in Gaga’s case is even more entwined with who she is as an artist than it is in the case of Taylor Swift. My point here is that Gaga’s songs may also have flaws, that she may not be as superior as her biggest fans may wish to claim.

That said, Gaga does of course tend to produces songs that have very strong messages. She also tackles issues that others might shy away from—“Dance in the Dark”, for example, is a very different take on the body image issue than Swift’s “Tied Together With a Smile”, as Gaga sets the stage in a much more intimate context. “Hair” is laced with lines about taking people as they are (“I just want to be myself and I want you to love me for who I am…”), which is the central theme of the justly praised “Born This Way”. On the whole, that self-love message is definitely positive, and Gaga’s willingness to base an image around being different and even being weird is probably for the best.

At the end of the day, neither artist—well, no artist—has a perfect lineup, but a strong case can be made for both Gaga and Swift. Of course, when girls listen to Taylor Swift and think how well they relate to her songs, they may want to also consider how they handle their situations, and how their romantic relationships fit into their concepts of who they are. When girls listen to Lady Gaga, they may want to think about their own comfort zones and how far they’re willing to push the limits. But part of the trick is to look at the actual music, not just the image the musician is trying to project—especially since, music videos, concerts and merchandise aside, the average fan’s primary contact with the musician is the actual music, and that is what is going to leave the biggest impression.

Advertisements

2 Comments on “Listening Between the Lines: Gaga, Swift and the Chords They’ve Struck With Feminism”


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s